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Having work accepted in a literary magazine is a big deal for a writer, it means that something you’ve been working on has found a home and won’t be relegated to the homeless drawer. It is frustrating then that once work has been accepted, some literary magazines don’t ever make contact again.
I submitted a poem to Botsotso and it was accepted and the editor asked for more. I sent more. I waited a year – no publication and no contact. I accept that funding is a problem, but then the editor needs to be upfront about this situation and say, “Your poems might only be published in a year’s time.” This knowledge will give me the option to decide whether or not the poem has the lifespan to wait or whether I want to submit to another magazine.
I was informed that SA Dept of Arts & Culture were sponsoring a new SA literary journal to be edited by Prof. Oliphant of UNISA. I submitted a poem and a literary essay and both were accepted, March being given as the publishing date. I emailed the editor to provide details of publication and where the publication could be purchased, but to date I have had no response.
I provided another new publication with a literary essay and it was accepted. Then I was told that it wouldn’t appear in the print issue but rather as a parallel article online. I accepted the change in publication and agreed to write some reviews for the same publication. To date the literary essay has not been published online, despite the editor’s reassurance that it is on the website!
I think it’s time that South African writers stood their ground and were more demanding of these editors, if they hold themselves out to be a market for writers then they must deliver. If they insist that they are looking for new writers and new writing then they must woo the new writers instead of publishing names that they feel will lend their publication stability. Without new writers the literary magazines will not last.
New writing is about taking risks and new publications should take this into account. South African writing is characterised by writers who have never been afraid to give voice to the unpopular. By serving up safe writing by middle of the road writers local editors are failing to contribute to the tradition of excellent SA writing.